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Friday, November 13, 2009

MFA Show: 11/13/09

I thought the MFA show as a whole was - for lack of a better word - okay. There were works that stood out to me and some not so much in a good way. The work in the first room to the left when you walk in really did not appeal to me and the paintings on the far back wall just left me with questions. I did not get them at all. The ones in the back kind of bothered me, especially the scribbles in pencil to the right of the canvasses. I in no way consider that art. It doesn’t seem to be any kind of method or technique applied. They’re just scribble paintings. I don’t knock anyone’s art because, as they say "to each his own", but I was completely left in the dark concerning these works.




Caitlyn Booth’s Night Park painting stood out to me because I am creating Night Paintings that are quite similar. Guerra’s work was interesting. I walk past his studio often and he’s ALWAYS there! He literally never takes a day off. He’s always wearing those big old earphones and doing something that makes him look busy, but when I look in I’m like, “What the heck is this guy doing? What kind of art is that?” His stuff is really different, but he just seems so passionate about it. I guess it doesn’t really matter what others think about it, he enjoys it and that’s all that matters, and that’s fine with me. [but I wonder what he listens to on those earphones. I’ve never seen him without them!] However, I actually did like his work in the show. It’s not something that I would usually be attracted to, but it’s interesting to say the least. I was really fond of the colors and the texture. They make you want to touch them. I also like the way that they were displayed. They were on the ceiling, on the floor, suspended in the air… it was like some sort of invasion!


Then there was Eileen Behnke’s work. They just speak for themselves. I related most to her than any other artist whose works were on display; mostly because I am usually doing something that involves portraiture. It looks like she painted them from photographs and that’s something that I sometimes do as well. I like “Rage” the most because of the woman’s expression. The artist also uses a palette full of color, which makes her paintings interesting to look at. I love it when artists pull colors out of skin tone that aren’t really there. It makes the work more dynamic and appealing.



The most alluring works in my opinion were Betsy Vanlagen’s photographs. They were utterly amazing! They were very exciting and unusual. Someone found out her name (since there weren’t any labels by her work) so I decided to Google her and she has a site that I recommend everyone visit. Her work is very distinct and pronounced. There’s a lot of energy in each photograph and they’re just so unique and fun. I like the photographs in which she plays with light or puts the model in front of a black backdrop. This adds dimension and highlights the model and the props she sometimes uses.



Overall I would give the MFA show a B-/C+

Don't forget to visit this site. It's impressive!

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Wednesday, November 4, 2009

Chapter 3: "The Fair"


♥ “If you go after art and quality the money will come later…”

♥ “An artist doesn’t become an artist in a day, so a collector shouldn’t become a collector in a day. It’s a lifetime process.”

♥ When Mera, speaking of herself and her family states, “we read, we look, we hear, we travel, we commit, we talk, we sleep art”, I find it very admirable to here of people who enjoy art with no other motive than that they are drawn to it, not just as something to show off. They don’t purchase art solely as a social activity, but rather immerse themselves in the world of art and are highly engaged with and informed about things related to the art world. This is a nice diversion from the extremely wealthy individuals referred to in the reading that simply collect as a hobby or way to elevate themselves socially. Their passion and love of the aesthetic really comes through when Mera says “But it’s not a sacrifice, it’s a real privilege.”

♥ I think it’s particularly special that the Rubells are not only interested in a specific work that they are purchasing, but also in the artist as well. That’s not often seen. I think it’s very empathic of them to take an interest in what they refer to as the “confidence-building” of the artist. “It’s not just about buying a piece. It’s about buying into someone’s life and where they are going with it.”

♥ I also find Mera’s reaction to being asked if she minds being followed around the fair to be note worthy. She compares it to something as intimate as being in her bedroom, and it didn’t seem that serious to me; after all you’re viewing works that are already open to the public anyway. Then again I guess one does have a very intimate relationship with certain pieces of art. There is a lot of scrutiny and analysis that occurs when you view art, so to have someone observing you while you are in the process of examining something else can be really nerve-racking because you are aware of being surveyed.

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Sunday, November 1, 2009

MFA Programs


I have always been interested in the idea of attending graduate school, but lately I have become more and more disenchanted with the idea of being in school any longer. To be quite honest I am really tired of school right now, but I think that if I take a break and gather my thoughts concerning what it is that I want to do as a far as a career is concerned, I may change my mind later. I don’t want to just be in school spending money and wasting my time if I am not absolutely certain what it is that I want to do. I think it’s best that I take at least a year off and then find the best program for me.

Some schools that I am interested in include:

The Tyler School of Art
Pratt Institute
University of the Arts
The School of Visual Arts
Parsons School of Design
Pennsylvania Academy of Fine Arts
Moore College of Art and Design

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